Foolishness And Pretty Pictures

Take it as it is

Foolishness And Pretty Pictures
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submissive-baby-girl:

vittyyluvscookies:

unsolicited disney

Gaston is suddenly not scary anymore.
submissive-baby-girl:

vittyyluvscookies:

unsolicited disney

Gaston is suddenly not scary anymore.
submissive-baby-girl:

vittyyluvscookies:

unsolicited disney

Gaston is suddenly not scary anymore.
submissive-baby-girl:

vittyyluvscookies:

unsolicited disney

Gaston is suddenly not scary anymore.
submissive-baby-girl:

vittyyluvscookies:

unsolicited disney

Gaston is suddenly not scary anymore.
submissive-baby-girl:

vittyyluvscookies:

unsolicited disney

Gaston is suddenly not scary anymore.
submissive-baby-girl:

vittyyluvscookies:

unsolicited disney

Gaston is suddenly not scary anymore.
submissive-baby-girl:

vittyyluvscookies:

unsolicited disney

Gaston is suddenly not scary anymore.
submissive-baby-girl:

vittyyluvscookies:

unsolicited disney

Gaston is suddenly not scary anymore.
submissive-baby-girl:

vittyyluvscookies:

unsolicited disney

Gaston is suddenly not scary anymore.
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All told, the sequence clocks in at around six minutes. Fukunaga and the crew ran through the whole thing seven times while the cameras were rolling. The director built in possible edit points if two takes had to be combined to make the perfect version of the shot, but anyone who is wondering should know that the sequence everyone saw in the episode is, in fact, a true single take and one of the great achievements of filmmaking for television - True Detective: How Did They Pull Off That Final Shot?

All told, the sequence clocks in at around six minutes. Fukunaga and the crew ran through the whole thing seven times while the cameras were rolling. The director built in possible edit points if two takes had to be combined to make the perfect version of the shot, but anyone who is wondering should know that the sequence everyone saw in the episode is, in fact, a true single take and one of the great achievements of filmmaking for television - True Detective: How Did They Pull Off That Final Shot?

All told, the sequence clocks in at around six minutes. Fukunaga and the crew ran through the whole thing seven times while the cameras were rolling. The director built in possible edit points if two takes had to be combined to make the perfect version of the shot, but anyone who is wondering should know that the sequence everyone saw in the episode is, in fact, a true single take and one of the great achievements of filmmaking for television - True Detective: How Did They Pull Off That Final Shot?

All told, the sequence clocks in at around six minutes. Fukunaga and the crew ran through the whole thing seven times while the cameras were rolling. The director built in possible edit points if two takes had to be combined to make the perfect version of the shot, but anyone who is wondering should know that the sequence everyone saw in the episode is, in fact, a true single take and one of the great achievements of filmmaking for television - True Detective: How Did They Pull Off That Final Shot?

All told, the sequence clocks in at around six minutes. Fukunaga and the crew ran through the whole thing seven times while the cameras were rolling. The director built in possible edit points if two takes had to be combined to make the perfect version of the shot, but anyone who is wondering should know that the sequence everyone saw in the episode is, in fact, a true single take and one of the great achievements of filmmaking for television - True Detective: How Did They Pull Off That Final Shot?

All told, the sequence clocks in at around six minutes. Fukunaga and the crew ran through the whole thing seven times while the cameras were rolling. The director built in possible edit points if two takes had to be combined to make the perfect version of the shot, but anyone who is wondering should know that the sequence everyone saw in the episode is, in fact, a true single take and one of the great achievements of filmmaking for television - True Detective: How Did They Pull Off That Final Shot?
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cruellings:

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ayebertie:

The 56 Year Old Boy by Bertie Gilbert
ayebertie:

The 56 Year Old Boy by Bertie Gilbert
ayebertie:

The 56 Year Old Boy by Bertie Gilbert
ayebertie:

The 56 Year Old Boy by Bertie Gilbert
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